Complete works W. T. Falscher

W. T. Falscher is a Swiss conceptual artist whose practice runs across four materials: the website, paper, the everyday object, and sound. He sells entire websites as artworks, hand-makes framed works on paper, turns found objects into editions, declares movements, builds fake shops that sell nothing, and, most recently, releases music. This page is the full catalogue of that body of work, with a short account of every piece and series and a direct way into each. The thread through all of it is constant: the gap between what a thing is and what it is called, and the strange economy of attention, permanence, ego and value that runs beneath both the internet and the art market.

Net Art — the website as the artwork

Falscher's Net Art is a catalogue of complete websites, each one a work in its own right. The principle is stated plainly on the page: the website itself is the work of art. A collector does not buy a picture of the piece; they buy the entire site and its domain, with ten years of hosting included, and an optional five per cent artist commission should they later resell it. The catalogue to date runs from n01 to n06:

The Golden Promises (thegoldenpromises.com, 2025), Supersonic Day (supersonic.day, 2025), The Artist Is Absent (theartistisabsent.com, 2025), BallaBalla (ballabal.la, 2025), WAIT (waitingpage.com, 2026), and the flagship, Fifty (usa.country, 2026) — a finite digital monument of fifty places, one per US state, at one million dollars each, closed forever once filled, built around money, ego and permanence. Read the full piece on Fifty.

BallaBalla (ballabal.la, 2025)

Buy The World

Buy The World is a satirical work that inverts the logic of appropriation. Its motto is "rule and do good." Falscher made it in response to a world in which, as he puts it, it has become a trend to disregard sovereign states, shift borders, and appropriate whole nations — so the work offers exactly that: buy yourself a piece of the world. Countries are offered through an online shop, in dollars or ETH, but the sardonic twist is the condition attached: buyers commit to donating the proceeds to the world's poorest. It is earnest and mocking at once — a real concern about the erosion of order, answered with an absurdist remedy.

buythe.world, 2025

Trumpicism

Trumpicism is a movement, declared in its own manifesto. Its rule is a single sentence: show one thing and name it falsely. The honest image and the dishonest caption sit side by side, and the gap between them — the instant the viewer notices the lie — is the actual work. The visual template is deliberately bare: a black silhouette on white, no text, an empty space below waiting for a caption that will not tell the truth. Trumpicism is the lens through which the rest of the practice comes into focus. Read the full piece on Trumpicism.

Trumpicism, 2025 - trumpicism.com

Absolution

Absolution is a conceptual work disguised as an online shop. It offers forgiveness in three products — a butter, a soft drink and a suppository — and every one of them is permanently sold out. Nothing is for sale; there is no order form; the website itself is the artwork. It is a piece about the one thing modern commerce cannot actually stock, dressed in the exact visual language of the thing that claims it can. Read the full piece on Absolution.

Absolution, 2025 - absolution.wtf

Trivial Art

Trivial Art is Falscher's longest-running series, handcrafted in Switzerland, framed behind plexiglass, each piece signed, dated and issued with a certificate of authenticity. It spans three distinct chapters.

The original Trivial Art dates from 1996 and 2000 — a closed collection of eighteen works, eight from 1996 and ten from 2000, all now sold. The page still functions as a portfolio and a secondary-market gateway: a prospective buyer can ask to be connected to a current owner, with the artist taking a five per cent commission on any resale.

Trivial Art, 2000

Trivial Art GT, from 2007, stands for "give and take." Each of its sixty-seven works hides something behind the frame — a shared secret or, quite literally, an actual banknote — discovered only when the buyer opens the back cover. Acrylic and coloured pencil on heavy A4 paper, framed and ready to hang.

Trivial Art 2025 brings the series into the present as political commentary. Opening with the question "Donald, what the hell are you doing?", its thirty-five works run from We The People (2025-1) to The Wonderboy (2025-35), with titles like Lie Baby Lie, Greed Is Back, New World Order and Dis In Formation — the same concerns that drive Trumpicism, carried onto paper.

Trivial Art, 2025

Ready-Made

Falscher's Ready-Made works carry the tagline "done, baby. done." — handcrafted objects and sculptural pieces in the readymade tradition, sold as unique works or limited editions with a certificate of authenticity. The 2025 group includes 540 Sheets of Innocence (paper rolls arranged as sculpture), Original Falscher Hase, Startup (paper, metal and wax), and The Frame — a light-blue acrylic-glass square, 42 by 42 centimetres, in an edition of eighty-eight, sold on a single line: you are the artist, I supply the frame. The titles play ironically off famous paintings and large abstractions alike, from Mona Lisa and Sunflowers to Hope and Optimism, and the buyer is cast as a collaborator in the meaning rather than a passive owner.

Hope 30g, 2025

Art Reflects Reality

Art Reflects Reality is Falscher's first album, released on all major streaming platforms and signed ARR by W. T. Falscher. The sound is rooted in jazz; the lyrics are poetic, almost literary. It is openly a collaboration: the words were written by Raphael Dudler, translated and reshaped by Falscher, and the music was built through AI prompts that Falscher then adjusted by hand — two people and a machine, credited as such. The album extends the body of work out of the browser and into sound. Read the full piece on Art Reflects Reality.

luckycharm.online

luckycharm.online is Falscher's shop of digital editions, where individual works can be downloaded for CHF 35 each. Where Fifty offers one place for a million and Absolution offers nothing at all, luckycharm.online sits at the opposite end of the same practice: art at the price of a sandwich, owned outright and kept.

One practice, many materials

Taken together, the works ask one question from every direction a medium allows. The Net Art sites make the website the object. Buy The World turns conquest into charity. Trumpicism asks whether you believe the caption. Absolution asks what cannot be sold. Trivial Art hides a secret, or a banknote, behind the glass. The Ready-Mades hand the authorship to you. Art Reflects Reality admits the machine in the room. And luckycharm.online quietly asks why art should cost what it costs. None of them behaves the way its medium usually does, and that is the point.

Free to experience. Yours to own.

The works of W. T. Falscher are presented by Raphael Dudler.

Sources: the works and descriptions above are drawn from the artist's own pages on ministryofgoodtaste.com