Christmas album ’26 ‘The Broken Dream’
Christmas Album ’26 “The Broken Dream” is the title of W. T. Falscher’s second music album, released at the end of October 2026.
Complete works W. T. Falscher
A complete guide to the works of Swiss conceptual artist W. T. Falscher: his Net Art websites sold as artworks (among them Fifty on usa.country, The Golden Promises, Supersonic Day, The Artist Is Absent, BallaBalla and WAIT), Buy The World, the Trivial Art series spanning 1996 to 2025, the Ready-Made objects, the Trumpicism movement, the fake shop Absolution, and the album Art Reflects Reality. One practice across websites, paper, objects and sound.
W. T. Falscher in the Lineage of Klein, Manzoni & Broodthaers
Swiss net artist W. T. Falscher stands in a clear conceptual-art lineage: Yves Klein, who sold immaterial space for gold; Piero Manzoni, who signed people into artworks; Marcel Broodthaers and his fictional museum; Magritte and Kosuth on the false caption; Rafaël Rozendaal and the domain as artwork; and the market provocateurs Hirst, Cattelan and Banksy. This essay places his works “Fifty”, “Absolution” and “Trumpicism” in that tradition.
Who Is W. T. Falscher, and What Is “Fifty”?
“Fifty” is a net-art work by Swiss conceptual artist W. T. Falscher, built on the domain usa.country: exactly 50 places, one for each US state, offered at USD 1 million each and closed forever at the fiftieth. It is a monument to the human wish to outlast one’s own lifetime — and a provocation about what the internet is really worth.
Absolution — W. T. Falscher Puts Forgiveness on the Shelf
W. T. Falscher’s new work Absolution looks like an online shop. It is not. It sells forgiveness in three forms — butter, a drink, a suppository — each promising to wash your sins away so you can carry on exactly as before. Nothing is for sale; the art is the website, and the longing it exposes. And every product is sold out, because the one thing humanity will always queue for is permission to stay the same.
Art Reflects Reality — W. T. Falscher’s First Album Is Out Now
For years, W. T. Falscher spoke without sound — through images, concepts and net art. Now his first album, Art Reflects Reality (ARR), is out on all streaming platforms: art you can hear. The honest story of how it was made — lyrics by Raphael Dudler, translated and tempered by Falscher, music built in genuine collaboration with AI — and how it completes his body of work.
A Digital Monument, and the Artist Who Refuses the Rules
Beneath usa.country, a wall with room for exactly fifty names — one per state, never one more, one million dollars each. Conceptual artist W. T. Falscher turns the oldest human wish, to outlast time, into a digital monument you do not buy but complete. And the deepest provocation is this: the address beneath it may be unsellable, which makes a place upon it either a utopian joke, or the only honest price for a thing that was never for sale.
The Noise of a Nation — W. T. Falscher’s Balla Balla
Balla balla — colloquial German for unhinged, off the rails. W. T. Falscher hangs the phrase over a grid of slogans pulled straight from the noise of the present, quoted verbatim, until conviction drains out and only volume remains. Art reflects reality.
Fifty — W. T. Falscher’s New Work Beneath the Clearest Name a Nation Ever Had
This address once held a different idea; that version remains, but the work has been re-conceived into something larger. Fifty offers fifty names beneath usa.country, one per state, one million dollars each — the ancient wish to outlast time, transposed onto the one monument our age attends to. Those who inscribe their names do not buy the work; they complete it. Whether it honours them or reveals them is left, deliberately, unanswered.
The Art of Waiting — W. T. Falscher’s Waiting Page
The internet was built to abolish waiting. Waiting Page does the unthinkable: it makes you wait, and calls the waiting the work. W. T. Falscher takes the loading screen — the internet’s most broken promise — and refuses to let it resolve. The thing you wait for never comes. Art reflects reality.
One Date, Made a Monument — W. T. Falscher’s Supersonic Day
Some works fill the screen; this one empties it, until nothing remains but a single date — January 20, 2025. W. T. Falscher lifts one day out of the calendar and sets it down as a monument, refusing to depict what happened and leaving the remembering to you. Art reflects reality.
TRUMPICISM
Art has always been a witness to its time. Trumpicism is W. T. Falscher’s response to a world in reversal — a style with a single rule: you show a thing and name it falsely. The image is honest, the caption lies, and the distance between them is the work. All artists are invited to take part.
The Nation Reads Itself — W. T. Falscher’s USA.COUNTRY
With USA.COUNTRY, W. T. Falscher makes his boldest move: he stops making marks. A live, self-running artwork draws real data from the open internet and lets a nation compose its own portrait — its moods, its words, second by second, with no hand from the artist. The author has left the room. The country is still talking.